1/11- 14 DRAWING PERFORMANCE + CONCERT – Arrington De Dionyso (US, Olympia)
Arrington tog oss med på en konstperformance i kombination med suggestiv live musik. Det här var 3é gången Arrington gästade Kontoret och ingen gång har varit den andra lik. Alla lika intressanta, inspirerande och förbaskat bra. Vi hoppas att Arrington snart är tillbaka i Sverige, en artist vi gillar och beundrar.
Arrington de Dionyso (b. January 4th 1975) makes trans-utopian world music for a world that exists in fever dreams and hallucinations. Using performance and visual art, he traverses the nameless territories held between surrealist automatism, shamanic seance, and the folk imagery of rock and roll. Ecstasy vs. Madness.
De Dionyso’s most recent project, Malaikat dan Singa, is a trance-punk outfit featuring bass clarinet, guitars, multiple drummers and his trademark wild vocals (multi-spectral harmonic THROATSINGING combined with grunts, yelps, and barks) -this time, all sung in Indonesian. Malaikat dan Singa translates as “Angels and Lions,” and de Dionyso’s Indonesian lyrics combine mythology and fantasy with haphazard translations of poet William Blake on the debut Malaikat album. The project, however, ultimately defies a clean translation. Malaikat dan Singa gains power by crossing boundaries — both linguistic and psychic. On the one hand, the Indonesian language allows Dionyso to communicate on levels more deeply subliminal than those accessible in his native English. On the other, he reaches his growing Indonesian audience with his eccentric brew of ecstatic lunacy and prophetic madness, clarified to perfection during his 15 year tour-of-duty with Olympia’s OLD TIME RELIJUN.
Arrington tours constantly, and also presents workshops on improvising with the voice throughout North America, Europe, Israel and Japan. His visual art has been featured in exhibitions in Italy, New York City, Washington DC and Portland, Oregon and published in Yeti Magazine, Prism Index and The Stranger.